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falling through frames

by rreplay

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1.
floaters 05:13
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instrumental
2.
bosunsweet 02:55
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instrumental
3.
elephant walk 04:02
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instrumental
4.
lucid dream 02:01
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instrumental
5.
to tahrir 05:01
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instrumental
6.
more lost 04:44
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instrumental
7.
back before going 06:41
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instrumental
8.
atmospheric phenomenon 02:32
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instrumental
9.
pareidolia 03:38
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instrumental
10.
connection fail 01:57
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instrumental
11.
where weld dwelled 03:22
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12.
itchy 03:31
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13.
scancore 03:52
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14.
we suppose 03:50
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15.
waterburn 04:48
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about

A dream, after drawing too many charts. Surreal. Or too real, not sure. Images: inside frames. Sounds, though, fall through. People are reassured by containers, they keep the insides from leaking out, they keep the picture safely separate from the world. Machines require frames and frequently need reminders to respect their boundaries. When machine frames fail, people find it jarring in vision. Then the machines have to be gently, algorithmically nudged back into compliance. Can’t go around jarring the humans. At least not all the time.

In sound it can be more interesting though. In a physical structure, like a house or a window, falling through frames tends to be a catastrophe, a crash. But in in music falling through frames, even a crash, can produce unexpected delights.

In a film, a frame of someone falling is a still picture of one step in an extended sequence. Most frames viewed by themselves look just fine. Only when the thing is put in motion does the falling through frames happen. And if the image falls through while the movie is moving, it simply falls out of the picture. But sound, that is a different story. Sound is always in motion, and even in movies, much of the sound happens outside the frame. How is that so?

rreplay’s new album, a dance of fingers and machines, of algorithms and soul, destruction and creation, does all this falling through frames but with our ears, a little like the sonic version of Dali’s timepiece or Escher’s windowsill

Enjoy rreplay again and again!

credits

released August 12, 2016

Eric Parker. Bass, drum programming.

Rich Rath, Electric guitar played through laptop computer, drum and loop programming and general mangling.

All songs improvised live in the studio by Rich and Eric. Tracks 3, 6, 7, 9, 12, 14 recorded at Eric and Karen’s in Somerville, MA or South Boston, Everything else recorded at Rich’s studio, Honolulu, HI.

Cover Image Stained Glass by Karen Suyemoto

Eric and Rich play live through a single laptop running Plogue Bidule with a zillion vst plugins, almost all of which are used on the guitar and drums. Eric mostly runs a beautiful Pedulla fretless directly in and almost directly out again. ALso to be found:, a Wacom Bamboo pen tablet transformed into a synth by way of Cycling ‘74’s Max, controlled by host of controllers including but not limited to: Behringer FCB 1010, Keith McMillen SoftStep, Source Audio HotHand, Mercurial Innovations Group STC 1000, Korg nanoKontrol2, stealth switch 3 footswitch, Axon AX 50, Godin xTSA, Rich’s own RhythmEcho. Mixing by Rich and Eric takes place mostly in Cakewalk Sonar with some help from Celemony Melodyne, Izotope Rx5, and the great open source editor Audacity.

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rreplay image

rreplay Honolulu, Hawaii

Imagine your watching one of those cool, slightly grainy sixties movies, the part where they go into the club with the great music coming from the band: Eric laying down amazing glitch funk basslines and beats and Rich messing with the beats and mangling his guitars through a laptop, and you've got the gist of rreplay. ... more

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